Monday, December 26, 2011

Propellerhead Reason - Instrument and FX Devices

!±8± Propellerhead Reason - Instrument and FX Devices

Continuing the series on Propellerhead Reason, this article explains the programs within Reason that we use to create music. These programs are called "Devices", and they consist of devices that are sound generators (or Instrument devices) and effects (or FX Devices). By combining the use of these devices, we can make a rich arrangement directly in the Reason environment.

These are the types of devices in Reason:

1. Hardware Interface Device. The Hardware Interface is neither a sound generator nor an effects suite, but functions as a virtual soundcard. The Hardware Interface is always located at the top of the Reason Device Rack, and all the stereo outs from the instruments (or the master stereo out from the mixer) go to the stereo in of the Hardware Interface. From the Hardware Interface, the stereo outs are then virtually connected to the stereo outs of our soundcard or audio interface hardware, resulting in the sound that we hear. Sometimes, when we are arranging and the sound doesn't come out, it is best to first suspect the connection between the instruments or mixer with the Hardware Interface.

2. Mixer Devices. The sound generators by themselves are useless when not connected via a mixer device into the hardware interface (unless you plan on only using one instrument device, of which a mixer then becomes unnecessary). There are 2 mixers in Reason: a 14-in-2-out (or 14:2) and a 6-in-2-out (or 6:2). To combine the sounds coming from all the instrument and effects devices that we use in the project, we need to connect them to one of these mixers. The mixers are then connected to the hardware interface. It should be noted that the 6:2 mixer is a line mixer, meaning that it doesn't have EQ-ing on its board.

3. Instrument Devices (or sound generators). These devices include Dr. REX loop player; ReDrum drum machine; NN-19 and NN-XT samplers; and Subtractor, Malstrom and Thor synthesizers. Basically creating sounds in Reason is done in two ways: by generating sounds from waveforms (or synthesis) and by using sampled sounds (or sampling). Usually to create realistic simulations of acoustic sounds, producers tend to use the sampling facilities in Reason; else, the synthesizers are always fun to experiment with to create fresh and unique textures.

4. FX Devices. Sometimes to get the sound we want we need to be creative with effects. Or, when mixing and we want a coherent unified sound then we need proficient use of effects in order to create a good mix. This is where the FX devices come in handy, as Reason supplies the producer with an ample choice of available effects, ranging from the basic reverb and delay, to the more advanced filters and splitters. It is the creative use of FX (and unrestricted routing options in the Reason environment) that can lead a producer to create new and brave sounds.

By using the combination of sound hardware devices and the sound generators and manipulators, a home musician now has the power to create any kind of music his artistic vision aspires to. The only challenge is in learning on how to use it, and getting better at it.

To your musical aspirations,


Propellerhead Reason - Instrument and FX Devices

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Monday, December 5, 2011

Livid Builder Quick Start Part 2

Quick Start guide and overview of the Builder series of DIY modular kits from Livid Instruments. This is part 1 of a 2 part beginner's guide to the Builder Brain MIDI interface.

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Thursday, December 1, 2011

Digidesign Mbox 2 USB Audio Interface

!±8±Digidesign Mbox 2 USB Audio Interface

Brand : Digidesign
Rate :
Price :
Post Date : Dec 01, 2011 09:40:44
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The MBox 2 has to be the best value in computer-based recording available today. MBox 2 is a USB audio I/O so you don't need to install any cards into your computer (are you listening laptop users?). It has a simple MIDI I/O (1 In and 1 Out). It works with powerful Pro Tools LE software (probably the most supported software on the planet). If all this isn't enough to get your attention, Mbox 2 comes with over 50 plug-ins including powerful signal processing from Bomb Factory and winners like SampleTank 2 SE, Reason Adapted 3, Celemony Melodyne uno, Ableton Live Lite 4 Digidesign Edition and more. MBox also comes with Digidesign's Xpand!, a powerful sample-playback and synthesis plug-in that includes more than 1,000 sounds. Here's what you'll love about owning an Mbox: if you start a track on this Mbox / Pro Tools LE system, everything you've done will be compatible with the full-blown Pro Tools systems used by high-end studios. This means you can start a project at home and then go to a professional studio to mix.   USB powered audio I/O with 2 analog inputs, 2 analog outputs, 48V phantom power, MIDI In & Out, S/PDIF digital I/O, headphone out with dedicated volume and dedicated studio monitor volume. Pro Tools LE Software with 32 simultaneous audio tracks (128 virtual audio tracks) and 256 simultaneous MIDI tracks. Free Bomb Factory Plug-ins Pro Tools Ignition Pack Plug-ins DigiRack Plug-ins Mbox 2 is a next-generation USB-powered ...

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Sunday, November 27, 2011

M-Audio 88-Key Semi-Weighted USB Keystation MIDI Controller Keyboard Review

Email: lewisthetechie@gmail.com Website: lewisthetechie.co.cc Twitter twitter.com Here is the review of my keyboard I use to produce my music on for my other channel. Features: 88-note velocity-sensitive, semi-weighted action pitch bend and modulation wheels volume/assignable control slider advanced function button for programming sustain pedal input (pedal sold separately) assignable data up/down buttons built-in USB MIDI interface MIDI out jack routes MIDI signals from keyboard or computer to external devices powered via USB or 9VDC power adapter (sold separately) Mac OS X and Windows XP class compliant for plug-and-play operation 53" x 9.5" x 4" 22 lbs. If you appreciate the full range of a piano keyboard in a lightweight package, the 88-note Keystation 88es is for you. You get great-feeling, semi-weighted action thats velocity sensitive to convey all the nuances of your playing to your computer and most popular music education and studio software. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lbs., the Keystation 88es is equally at home on stage and in the studio. Class compliancy with Windows XP and Mac OS X ensures easy plug-and-play setup. Its even bus-powered, so one simple USB cable is the only connection you need.Features* 88-note velocity-sensitive, semi-weighted action* Pitch bend and modulation wheels* Volume/assignable control slider* Advanced ...

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Tuesday, November 15, 2011

My Home Studio Workflow

!±8± My Home Studio Workflow

Now that you bought all of your equipment, and you have your home studio, I bet you're wondering what to do now. I can tell this is you, "Wow, I have Ableton Live 8, a midi keyboard, my guitar, and my audio interface, but I don't know what to do. Many musicians face this problem of not knowing what to do next. But, with a little guidance, and an understanding of an established musician's home recording studio work-flow, you can be well on your way to recording your music happily.

In my home studio, my equipment is Ableton Live 6, FL Studio, a Mid Air 37, my Gateway computer, my asio supportive sound-card, my M-Audio Audio Buddy interface, a condenser mic, a pencil mic, microphone cables, guitar cables, my guitars, and my headphones. Phew! I'm guessing that you're thinking that that is a great deal of equipment. Yes it is alot of equipment, but I bought that equipment over about a 2 year span (4 years if you include when I got my guitars).

With this equipment, for a standard song, I turn on my midi keyboard, open up Ableton Live, and get my guitars. From there, I must think: Do I want to go directly into my audio interface (cable straight from my guitar right into the Audio Buddy interface) or do I want to hook up my amp, and mic it with the pencil mic. Going direct-in, or micing up your amp does have an effect on your music. If you go direct-in then your guitar track(s) will be thinner, maybe cheesier, and have a weak bottom, but it will be much easier to use, because you can add the effects in your DAW (Digital Audio Workstation). This is the route to go if you are a novice. If you choose to mic up your amp you will have fatter, beefier guitar tracks, and a fat bottom, but it will be difficult to find the right configuration (you must consider the effects, the room, the echo, and alot of other factors).

After choosing between direct-in or micing up my amp, I open up FL Studio to make my drum tracks, or loops. After I finish my drum track, I mix it and master it, then I export it as a wave file. After I export it, I close FL Studio and open Ableton Live up again. I open up the drum track wave file, and I put the file in an Ableton Live track.

After I have the drums finished, I get my bass guitar and go direct-in (for bass guitars direct-in sounds just as good as micing it up). I record my bass track, and then I get my electric or acoustic guitar (depending on the song I am recording). I hook up my guitar, (direct-in or mic-it-up, whichever one I chose) and I record my guitar track.

After I finish my guitar track I'm done with my song right.... WRONG. You still have to mix it and master it. After I mix and master the song I am finished and I render the song as a wave file, and share it with the world.

Now that you know my home studio work-flow, I believe that you can create your own work-flow and be well on your way to recording your music.


My Home Studio Workflow

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Sunday, November 6, 2011

Sunday, October 30, 2011

M-Audio MIDIsport 4x4 USB MIDI Interface

!±8±M-Audio MIDIsport 4x4 USB MIDI Interface

Brand : M-Audio
Rate :
Price :
Post Date : Oct 30, 2011 19:49:41
Usually ships in 1-2 business days



The MIDISPORT addresses a total of 64 x 64 discrete channels of MIDI I/O via USB, allowing you to simultaneously connect a variety of MIDI devices. Bus-powered architecture provides the option of totally mobile operation.

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Monday, October 24, 2011

MIDI Recording With FL Studio and Windows Vista

!±8± MIDI Recording With FL Studio and Windows Vista

One of the first struggles that many people run into when they start getting into music production is dealing with MIDI recording. It was very difficult for me to figure out how a lot of these issues with FL Studio 8, and I was almost ready to give up after running into the additional complications that resulted from me using a Windows Vista 32-bit operating system. The following guide should get you working with MIDI error-free and with ease.

The following advice is catered towards people running on the following:

-any generic MIDI controller (currently using an Alesis QS8)
-any audio interface(currently using the M-Audio Uno USB/Midi Cable)
-FL Studio any version
-Windows Vista
-PC Desktop/Laptop
(currently running a Toshiba Satellite U405 w/ 1.86 gHz and 4 gig memory)

You can probably apply it to your situation if it differs; you'll most likely just have an easier time.

Part 1: Latency and ASIO4ALL

At this point I am assuming you have all the cables wired correctly and are able to operate your MIDI controller and have it play notes out. However, the problem that typically arises is that there is significant lag between when you press a key and a sound actually playing/recorded. This is called latency. Unless your computer is a beast and you have an overtly powerful audio interface, it will be too much for you to make using MIDI worthwhile.

The cure for this is called ASIO4ALL. I'm not sure about the technical aspects of this, but I do know that it allows you to drop your latency to a minuscule amount.

This program can be found easily by searching for "ASIO4ALL" in Google.

After installing it:

-Open FLStudio
-Click the "Options" tab
-Go to "Audio Settings"
-Under the "Input/Output" section, click the drop-down menu and change it to "ASIO4ALL v2"

This should do the trick. My latency dropped from like 50 ms to around 11 ms after this (it is measured by the "Buffer Length" in the "Audio Settings").

Most likely at this point you aren't done. When I first implemented ASIO4ALL, I noticed that I was getting very negligible lag time in my MIDI controller from the visual monitors in FLStudio, but there was no audio output. The following steps will get you your sound back without losing any of the benefits that came with installing ASIO4ALL.

Part 2: ASIO4ALL and Getting Your Sound Back

The first step is to make sure that there are no programs running that could be generating sounds besides FL Studio. If this is not the case, you will get no sound while ASIO4ALL is in use. Make sure your iTunes is off, and that no open browsers have any YouTube instances or embed media. When in doubt, click the Speaker icon on the very far right of your Windows Taskbar next to the clock, and click "Mixer". This will help you identify what program is still hogging the sound.

Second, go into FL Studio. Get to the ASIO4ALL Panel by doing the following:

-Click on "Options"
-Click on "Audio Settings"
-Click "Show ASIO panel"
-Click the icon of a Wrench so that there is no X showing and you can see all settings

If there are any red X's in the panel, then there is still a program hogging the sound from FL Studio musted be turned off.

If you're still not getting sound in FL Studio even with no red X's present, then click the blue power buttons so that the Digital Out and the Headphones are OFF.

If all of these steps were followed correctly, you should now be able to hear sound in FL Studio while running ASIO4ALL on Windows Vista.

Part 3: The Opposite of Latency

For most, this will solve any woes you may have with introducing MIDI recording to your FL Studio set up. However, there are a small group of people (me included) who ran into an additional problem after going through this process: "earlency", or the opposite of latency. Whenever I would record via MIDI my notes would be recorded slightly early, as if there was some kind of latency compensation that would push my notes back. Sadly, there was no documentation on the internet of any kind regarding how to deal with when it occurs in FL Studio (but i did find some instances of people with the same problem). The issue was significant enough to keep me from recording anything via MIDI for a period of time.

What fixed this for me was to uninstall and re-install the drivers for my MIDI interface (the M-Audio Uno Midi/USB). So simple.

Hopefully this series has dealt with any issues you have ran into when it comes to MIDI and FL Studio. It's a whole new world once everything is set up.


MIDI Recording With FL Studio and Windows Vista

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Tuesday, October 18, 2011

M-Audio Keystation 88ES Midi Controller

!±8±M-Audio Keystation 88ES Midi Controller

Brand : M-Audio
Rate :
Price : $190.00
Post Date : Oct 18, 2011 22:54:06
Usually ships in 1-2 business days



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